Center For Writing Excellence

JULIA GUICHARD

INTRODUCTION FOR FACULTY TO THIS SEQUENCED GROUP WRITING ASSIGNMENT

THE 101 (Introduction to Theatre: Drama Analysis) is a Miami Plan Foundation Course. It is a requirement for Theatre majors and fulfills the MP Fine Arts requirement. Typically, a section of THE 101 will contain a mix of majors and students from a wide variety of other disciplines—although this is not always the case.

The Group Project is given to students on the second day of class. They work in groups of five for most of the semester and this project serves as the “final” for the class.

This project on which I worked in the Center for Writing Excellence/CELT Workshop on Improving Student Writing requires students to apply knowledge and principles gained through class: mini-lecture, discussions, short writing assignments, and a production lab class. Because students work in small groups on a complex task (taking one play from “page to stage”), they must engage with each other and the material in a meaningful way. This assignment serves both a stated goal of the Miami Plan (engaging with other learners) and a fundamental goal of our discipline (collaborate with other artists to create a theatrical event).

Along the way, students complete a variety of steps that engage them in critical thinking (literary analysis [step 8], theme statement [steps 5,6]), understanding context (manifesto [step 7], annotated bibliography [step 4]), and reflecting and acting (production concept, rehearsal, performance, and teaching [steps 9-12]).

Theatre is, by nature, a discipline that “begs, borrows and steals” from all other disciplines. Because we deal with the human condition in its entirety (is that too grandiose?!), no subject, methodology, or approach is irrelevant. By providing students with a “stepped” assignment, they can better understand the eclectic nature of our field.

 

 

JULIA GUICHARD

SEQUENCED GROUP WRITING ASSIGNMENT FOR STUDENTS

 

GROUP PROJECT ASSIGNMENT

THE 101 – Introduction to Theatre: Drama and Analysis

Julia Guichard

Congratulations!   You are invited to join a hot new theatre company and help stage their latest production. As the artistic director of this company, I will provide you with a script and give you a set of guidelines to help you in your creative process.  Should you accept my invitation, you will become one of five members on my creative team, chosen to represent a wide range of strengths and abilities.  I look forward to working with you!

This project is designed to give you an opportunity to collaborate with others in taking one particular play from “page to stage.” In doing so, you will apply all of the concepts, principles and experiences from the semester, enabling you, as a group, to develop a well-informed and creative interpretation of your play to present to the class.  This project has multiple steps that will culminate in a final two-day presentation.  Hopefully, you will discover two things about the creative process:

  • Interpretation is rooted in clear and thoughtful analysis, rather than opinion.
  • The result of the collaborative creative process is greater than the sum of its parts.

 

Expectations:

  • All work must be done and submitted on time.
  • Each group member must pull his/her own weight and contribute consistently to the group effort.
  • Work should demonstrate valiant efforts to struggle with difficult material.
  • Format, level of polish, and grading criteria will vary for each step, but in each case ideas should be clear and writing coherent.
  • All work must be your own; any sources that you use for ideas, research, quotes MUST be clearly cited.  Ultimately, it is YOUR interpretation of the play (based on evidence and

        analysis) that I am interested in.

Evaluation:

Group Process                 10 pts.

Steps 1-9 will be graded on a credit/no credit basis. All materials must be submitted on time.  Failure to turn in any ONE step will result in a loss of ALL

10 points for ALL members of the group.

Group Presentation         10 pts.

              Your group will receive one common grade for the overall effectiveness of

              your presentation.

Individual Work             

  Literary Analysis           10 pts.

              You will receive an individual grade for your analysis paper.

  Presentation                    15 pts.

This grade includes your individual performance during the group presentation as well as your supporting materials (paper, outline, bibliography, visual aids).


Summary Chart of Steps for Group Assignment*

THE 101 – Introduction to Theatre: Drama and Analysis

 

Step #

Assignment

Purpose

What do I turn in?

Due Date

1

Nuts & Bolts

 

Planning: set up a structure for the group interaction

1) Who’s Who List

2) Contact Sheet

3) Strategic Plan

(turn in one assignment per group)

Week 3

2

Meeting Log

Recording: keep track of goals, process and accomplishments

Log sheets

(turn in one assignment per group)

Presentation day

3

Group Discussion Memo

Exploring Content: brainstorm issues and generate questions

1) Summary Memo

2) Individual questions

3) List of Research Topics

(turn in one assignment per group)

Week 4

4

Bibliography

Locating Research Sources: identify a variety of sources

Annotated Bibliography

(turn in one assignment per group)

Week 5

5

Theme Statement

Finding Focus: what does this play have to say?

Theme Statement (Draft)

(turn in one assignment per group)

Week 6

6

Theme Statement

Honing your Focus: what does it really have to say?

Theme Statement (Revised)

(turn in one assignment per group)

Week 7

7

Group Manifesto

Creating Context: what audience are you going to target and why?

1) Theatre Manifesto

2) List of web sites

(turn in one assignment per group)

Week 8

8

Individual Literary Analysis

Understanding Structure: analyze the play’s dramatic elements

Literary Analysis Paper

(each member of the group turns in a separate paper)

Week 9

9

Production Concept

Formulating Interpretation: create a unified vision of the world of the play

Production Concept Statement

(turn in one assignment per group)

Week 10

10

Rehearsal

Creating Theatrical Reality: rehearse your scene, design  your visual elements, develop a marketing plan

No formal assignment due.

However, incorporate process notes into your meeting log

On-going

11

Presentation

(Day One)

Performing: realize your production

1) Dramaturgical Paper

2) Speaking Outline

3) Bibliography of Sources

4) Visual Aids

(each member of the group turns in each component)

Weeks

11-15

12

Presentation

(Day Two)

Teaching: facilitate the class’ understanding of the play

1) Outline of Activities

2) List of Discussion Questions

 

*The creative process is recursive; it has structure but is not linear.

 

JULIA GUICHARD

SEQUENCED GROUP WRITING ASSIGNMENT FOR STUDENTS

 

GROUP PROJECT ASSIGNMENT

THE 101 – Introduction to Theatre: Drama and Analysis

Julia Guichard

Congratulations!   You are invited to join a hot new theatre company and help stage their latest production. As the artistic director of this company, I will provide you with a script and give you a set of guidelines to help you in your creative process.  Should you accept my invitation, you will become one of five members on my creative team, chosen to represent a wide range of strengths and abilities.  I look forward to working with you!

This project is designed to give you an opportunity to collaborate with others in taking one particular play from “page to stage.” In doing so, you will apply all of the concepts, principles and experiences from the semester, enabling you, as a group, to develop a well-informed and creative interpretation of your play to present to the class.  This project has multiple steps that will culminate in a final two-day presentation.  Hopefully, you will discover two things about the creative process:

  • Interpretation is rooted in clear and thoughtful analysis, rather than opinion.
  • The result of the collaborative creative process is greater than the sum of its parts.

Expectations:

  • All work must be done and submitted on time.
  • Each group member must pull his/her own weight and contribute consistently to the group effort.
  • Work should demonstrate valiant efforts to struggle with difficult material.
  • Format, level of polish, and grading criteria will vary for each step, but in each case ideas should be clear and writing coherent.
  • All work must be your own; any sources that you use for ideas, research, quotes MUST be clearly cited.  Ultimately, it is YOUR interpretation of the play (based on evidence and

        analysis) that I am interested in.

Evaluation:

Group Process                 10 pts.

Steps 1-9 will be graded on a credit/no credit basis. All materials must be submitted on time.  Failure to turn in any ONE step will result in a loss of ALL

10 points for ALL members of the group.

Group Presentation         10 pts.

              Your group will receive one common grade for the overall effectiveness of

              your presentation.

Individual Work             

  Literary Analysis           10 pts.

              You will receive an individual grade for your analysis paper.

  Presentation                    15 pts.

This grade includes your individual performance during the group presentation as well as your supporting materials (paper, outline, bibliography, visual aids).


Summary Chart of Steps for Group Assignment*

THE 101 – Introduction to Theatre: Drama and Analysis

Step #

Assignment

Purpose

What do I turn in?

Due Date

1

Nuts & Bolts

 

Planning: set up a structure for the group interaction

1) Who’s Who List

2) Contact Sheet

3) Strategic Plan

(turn in one assignment per group)

Week 3

2

Meeting Log

Recording: keep track of goals, process and accomplishments

Log sheets

(turn in one assignment per group)

Presentation day

3

Group Discussion Memo

Exploring Content: brainstorm issues and generate questions

1) Summary Memo

2) Individual questions

3) List of Research Topics

(turn in one assignment per group)

Week 4

4

Bibliography

Locating Research Sources: identify a variety of sources

Annotated Bibliography

(turn in one assignment per group)

Week 5

5

Theme Statement

Finding Focus: what does this play have to say?

Theme Statement (Draft)

(turn in one assignment per group)

Week 6

6

Theme Statement

Honing your Focus: what does it really have to say?

Theme Statement (Revised)

(turn in one assignment per group)

Week 7

7

Group Manifesto

Creating Context: what audience are you going to target and why?

1) Theatre Manifesto

2) List of web sites

(turn in one assignment per group)

Week 8

8

Individual Literary Analysis

Understanding Structure: analyze the play’s dramatic elements

Literary Analysis Paper

(each member of the group turns in a separate paper)

Week 9

9

Production Concept

Formulating Interpretation: create a unified vision of the world of the play

Production Concept Statement

(turn in one assignment per group)

Week 10

10

Rehearsal

Creating Theatrical Reality: rehearse your scene, design  your visual elements, develop a marketing plan

No formal assignment due.

However, incorporate process notes into your meeting log

On-going

11

Presentation

(Day One)

Performing: realize your production

1) Dramaturgical Paper

2) Speaking Outline

3) Bibliography of Sources

4) Visual Aids

(each member of the group turns in each component)

Weeks

11-15

12

Presentation

(Day Two)

Teaching: facilitate the class’ understanding of the play

1) Outline of Activities

2) List of Discussion Questions

 

*The creative process is recursive; it has structure but is not linear.

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