The Culture of Information: Living in a Digital World

The Culture of Information Professor Laura Mandell
English 180.U, Section A Phone: (O) 9-5276; Office: 370 BAC

Fall 2004

(H) (before 9 p.m.) 765-647-2096
MWF 10:00-10:50 a.m. , 163 Upham

Office Hours:
TWRF 11:00-12:00, and by appointment

http://blackboard.muohio.edu

mandellc@muohio.edu
AIM: LauraMiam5
MSN Messenger: mandellc@muohio.edu

 

It seems relatively simple to think about the impact of technology on our lives. Since the development of the automobile and the computer, life is more harried: we are expected to do more, to produce more, to be more places at once. But there are much less obvious ways that new technologies affect us, visible only if one takes a look at the special connection between media (computer, television, film) and form. What is form? Well, of course, there is literary form: the sonnet is a poetic form that first made its way into English during the 16th century; the novel is a prose form that arrived more recently, during the 18th century. But in a broader way, everything we perceive or think is in some form or another, whether it be in the form of a word or an image. Anything formless is also unthinkable: reality must be always be formed in some way or another in order to be conceivable at all. Moreover (and this may surprise you) many literary theorists think that our idea of what it means to be a person -- the set of expectations, beliefs, feelings, and ideas we have about what it means and feels like to be a self -- took on its modern form during the late 18th century, at the moment in "the print revolution" of mass publication and mass literacy. Will "the computer revolution" change our ideas, our feelings, our sense of who we are?

This class is organized into three units: Narrative as Technology, Metaphor as Technology, Technology and Identity. The major premise of this course is that various forms (sentence structure, narrative, metaphor) are themselves "technologies." --Wait, you probably wish to say, are you suggesting that a sentence is like a car??? Well, sort of, except that it is a technology for thinking rather than for moving. What kind of technology is any given form? That is, what kinds of knowledge or feeling do various forms produce, and how? We will look at how narrative forms which change depending upon their media affect the way we tell our life stories, and consequently what we think and feel about ourselves. Metaphors provide pathways for thought and feeling without us being conscious of them: we will look at the part they play in emotions such as anger, even the explosive anger leading to violent crimes such as rape. Why look at these "old" technologies? To help us better understand the new. New media also produce forms of life and thought, sometimes by changing narrative forms (and even sentence structures, as we will see), sometimes by offering new metaphors and with them, new ways of being human. Thus in the last unit, we will look at how new technologies affect our sense of identity. What kinds of selves are now imaginable, that weren't before, given that we use digital technologies to think with, in the same way that we use sentences to think with? Of course computers enter not only into our practices and habits, but also into our dreams: how do we view ourselves now that we use computers as metaphors for delimiting what it means to be human?

History of this Class

This class has received two large grants from the State of Ohio to develop, as you can see from going to the web site we produced for that grant called "Technology and the Humanities." As you can see there, I have been working on it in conjunction with many other people for the last four years. Also, I have been teaching a version of this class as a first-year course and as a capstone course, as you can see when you go to the English Technology web site. If at the end of the semester you give me formal permission, I would like to "publish" your Blogs at the English Tech site, just as some of the students' final projects appear here. You are welcome to browse throughout both related sites.

Work Required

This is a thinking class. I believe that, in order to think well, one must read carefully, slowly, write about what one has read, and then discuss it with others who have different ideas and perspectives. Light on reading assignments (we'll read a great variety, but not a great number of pages!), this class requires the equivalent of about 10 double-spaced typed pages per week of writing. I say "the equivalent" because your writing will not consist in formal papers (with one exception), but rather in postings to your own Blog (which I'll help you set up) and commenting on Blogs by your classmates. If you get into the habit of note-taking and writing (thinking aloud via your writing, in a public way) as you read, the work in this class will begin to seem very easy indeed. By the end of the class, you will have a Blog that is the equivalent, in terms of pages and thoughtfulness, of an Honors Thesis -- or perhaps even a Masters Thesis! Because the course requires weekly writing, there will be no midterm or final. There will be one three-page, double-spaced, typed formal paper that is written in stages, turned in with accompanying Web-site design plans and notes; weekly writing will be suspended during the time that you work on this assignment. Instead of the Final Exam, you may revise your Blog, based on my comments and comments by others, and/or add to it. Your final Blog revisions must be completed by the date and time of the Final Exam.

Notice that 70% of your grade will come from averaging your weekly grades: it is not possible to pass this class by doing the Blog at the end of the semester. Blog assignments cannot be turned in late except under special circumstances: they are due at the time of our class meeting even if you are unable to attend class.

Grades

I will grade your Blog activity not by assignment but in total, once a week. Because my comments on your Blog will contain a grade, I will not post them publicly on your Blog but will email them to you and hand them out in class. In addition, the grades for each week of Blog-work will be posted in Blackboard on our course Web site.

Your Blogs will not be graded for grammar, but rather for the quality and profundity of your thinking process. Sometimes good grammar and style help you think more clearly and deeply. When certain grammatical or stylistic problems are in some way hampering your thinking process, I will print out that portion of your Blog and show you ways you might revise. I'll only do this, however, when I think seeing various versions of what you are trying to say might deepen your thinking in some way.

Web Blog, Weekly Grade 70%
Assignment, Module 5, Creating Oneself In Media 15%
Final Blog 15%
A+ 97-100 C 73-76
A 93-96 C- 70-72
A- 90-92 D+ 67-69
B+ 87-89 D 63-66
B 83-86 D- 60-62
B- 80-82 F 0-59
C+ 77-79    

 

 

 

Attendance

More than three absences, excused or not, will lower your grade; after five absences, you will be asked to drop the class, except in the case of sustained medical problems recognized as such by the university.

Create Your Blog

You are welcome to use any Blog you would like to use, as long as you can give me the URL and as long as it has the capacity to accept comments from your classmates. But if you don't have a preference, it is VERY EASY to start your Blog:

  1. Go to http://www.blogger.com/start
  2. Follow the instructions for making your Blog.
  3. Send me the blog address: http://__________.blogspot.com

All the URLs for Blogs will be posted at our Class Blog List Site: http://www.units.muohio.edu/englishtech/blog.htm

As is usual with all new technologies, it is best to save your work just in case there is some kind of failure. After you work in your Blog or in the Blog of a classmate, highlight what you have written with your cursor, and then click on "Edit, Copy" at the top of your browser. Open Word and click on "Edit, Paste." Save your document as the class date (MMDDYY) in a folder called "InfoCulture."

Books

George Lakoff and Mark Johnson, Metaphors We Live By, ISBN: 0226468011

Joseph Williams, Style: Toward Clarity and Grace, ISBN: 0-226-89915-2

Edward Tufte, “The Cognitive Style of PowerPoint,” ISBN: 0-9613921-5-0

Mary Shelley, Frankenstein, ISBN 0-451-52771-2

Henry David Thoreau, Walden, ISBN: 0486284956 Dover Editions

Philip K. Dick, Blade Runner (Do Androids Dream of Electric Sheep?), ISBN: 0345350472

All the class readings other than these books are available at the public Web Site or here, below. When you come to a link in your Schedule (below), click on it: a new window will open containing the reading and/or the Assignment.

For Further Reading, see the Class Reserve List.

Class Schedule of Readings and Assignments
Available at: http://www.units.muohio.edu/englishtech/ENG180UFall2004/180uSchedule.htm

Wk Date Day Readings (have read these items by the time class meets) Assignments Due at the beginning of this Class Meeting, Posted on your Blog
1

8/25

W

Introduction

 
8/27 F

UNIT 1: NARRATIVE AS TECHNOLOGY

Spencer Holst, "The Zebra Storyteller"

Log onto the class Blackboard and Course Modules sites.

Introduce yourself to everyone by making a blog.

2

8/30

M

Nathaniel Hawthorne, "The Birthmark"
Mary Shelley, Frankenstein (xx-77, Intro. through Ch. 9)

Assignment #1, Module 1 -- Narrative as a Tool for Thinking About Technology
9/1 W

Mary Shelley, Frankenstein (78-128, Chs. 10-17)
Science Fiction (video)

Comment on a classmate's Blog at our class Blog site.
9/3 F Mary Shelley, Frankenstein (129-198, Chs. 18-24) Assignment #2, Module 1 -- Narrative as a Tool for Thinking About Technology
3 9/6

M

LABOR DAY -- NO CLASSES

 
9/7 T

MONDAY / TUES EXCHANGE: We Meet Today!

Philip K. Dick, Do Androids Dream of Electric Sheep? (Blade Runner)
View the movie Blade Runner (on reserve, closed stacks, IMC) sometime between 9/6 and 9/13

Assignment #1, Module 2 -- Narrative as a Tool for Thinking About Technology
9/8 W

LIBRARY DAY:

View the movie Blade Runner (on reserve, closed stacks, IMC) sometime between 9/6 and 9/13

Comment on the movie in your Blog; comment on a classmate's Blog.
9/10 F

Philip Dick, Do Androids Dream?
View the movie Blade Runner (on reserve, closed stacks, IMC) sometime between 9/6 and 9/13

Assignment #2, Module 2 -- Narrative as a Tool for Thinking About Technology
4

9/13

M

Jorge Luis Borges, "The Garden of the Forking Paths" (from Everything and Nothing)

Assignment #1, Module 4 -- Narrative Constructions of Self in Film and Story
9/15 W

excerpts from The Wizard of Oz, to be shown in class
Marshall McLuhan, "The Medium is the Message"

Assignment #2, Module 4 -- Narrative Constructions of Self in Film and Story

Comment on a classmate's Blog.

9/17 F

Marie-Laure Ryan, Introduction to Narrative Across Media: The Languages of Storytelling (e-reserves)
Barthes, Greimas, Genette: Narratology

Assignment #3, Module 4 -- Narrative Constructions of Self in Film and Story
5

9/20

M

excerpts from Alan Palmer, Fictional Minds (avail. in NetLibrary)
excerpts from David Lodge, The Art of Fiction

Assignment, Module 5, Part I -- Creating Oneself in Media
9/22 W

excerpts from Scott Fisher, Multimedia Authoring
excerpts from Sam Mendes, Dir., American Beauty -- Storyboard

Assignment, Module 5, Part II -- Creating Oneself in Media

Comment on a classmate's Blog.

9/23 R

EXTRA CREDIT:

Sut Jhally, "Hijacking Catastrophe: 9/11, Fear and the Selling of an American Empire" Pearson 128, 4 p.m.

Comment in your Blog on Jhally's talk.
9/24 F

excerpts from Steven Krug, Don't Make Me Think!: A Common-Sense Approach to Web Usability
excerpts from Thomas Powell, Web Design: The Complete Reference (avail. in NetLibrary)

Assignment, Module 5, Part III -- Creating Oneself in Media
6

9/27

M

Robert Markley, Red Planet: Scientific and Cultural Encounters with Mars (we will pass CD-Rom around or I will put it on reserve)

Edward Tufte, "The Cognitive Style of PowerPoint"

Assignment, Module 5, Part IV -- Creating Oneself in Media
9/29 W Tufte on the Use of Bullets
Challenger
Clive Thompson, "PowerPoint Makes You Dumb"
Stephen Shugart, "Beyond PowerPoint"

Assignment 2, Module 6 -- The Form of Information
an in-class writing assignment

 

10/1 F

ROBERT MARKLEY VISITS

What Difference Form Makes:

Mary E. Hocks, Michelle Kendrick, Introduction to Eloquent Images
Anne Wysocki, "Seriously Visible" in Eloquent Images
Helen Burgess, Jeanne Hamming, and Robert Markley, " The Dialogics of New Media: Video, Visualization, and Narrative in Red Planet: Scientific and Cultural Encounters with Mars," in Eloquent Images

Assignment 3, Module 6 -- The Form of Information

EXTRA CREDIT:

Robert Markley's Talk, 337 BAC, 4:00 to 6:00 p.m.

 
7

10/4

M

George Orwell, "Politics and the English Language"
Joseph Williams, Style: Toward Clarity and Grace: on Subjects as Characters, Nominalization, Active Voice (Chapter 2, "Clarity," pp. 17-43)
How to Improve Crabbed Prose, and Figure Out What You Yourself Think

Last day to withdraw with a "W." Any student who has missed four classes or more by this date will be dropped from the class.

Assignment 1, Module 6 -- The Form of Information
an in-class writing assignment

10/6 W

UNIT 2: METAPHOR AS TECHNOLOGY

excerpt from Plato, The Phaedrus (on writing)

excerpt from Jack Goody, Intro. to Interface Between the Written and the Oral (excerpt)
Jack Goody, "Technologies of the Intellect: Writing and the Written Word" (from The Power of the Written Tradition) -- on electronic reserve
--TRY CLICKING HERE AND THEN TYPING IN YOUR SECRET PASSWORD: computersrock

[Begin reading Walden, pp. 1-52 "Economy"]

Assignment 2, Introduction -- Metaphors For Humanity

10/8 F

MATT KIRSCHENBAUM VISITS

essays by Matt Kirschenbaum

  • The Cult of Print." Review of Sven Birkerts's The Gutenberg Elegies. Postmodern Culture 6.1 (September 1995). Online
  • "Designing Our Disciplines in a Postmodern Age -- and Academy." Review of Richard Coyne's Designing Information Technologies in a Postmodern Age. electronic book review 2. (Spring 1996). Republished in the American Book Review 17.6 (August-September 1996). Online.

[Walden, pp. 52-90, up to "Visitors"]

Comment on a classmate's Blog.

EXTRA CREDIT:

Matt Kirschenbaum's Talk, 337 BAC, 4:00 to 6:00 p.m.

8 10/11

M

William Blake, “A Poison Tree” (with pictures; text only)
Geroge Lakoff and Mark Johnson, Metaphors We Live By, pp. 3-13, 25-34, 46-51
George Lakoff, "Anger," in Women, Fire, and Dangerous Things (HO)

[Walden, pp. 90-144, up to "Brute Neighbors"]

Assignment 2, Module 1 -- Metaphors affect how we think and feel
10/13 W

Judy Collins, Both Sides Now
Metaphor Exercise

CANCELLED: GAME MISSING!!! Castle of Otranto Game: Instructions; Game

[Walden, pp. 144-182, up to "The Pond in Winter"]

Assignment 1, Module 1 -- Metaphors affect how we think, feel, and act
10/15 F

FALL BREAK -- NO CLASSES

[Finish Walden, pp. 182-216]

 
9 10/18

M

Reread Walden "Economy," "Where I Lived, and What I Lived For," "Reading," "Sounds," "The Ponds" (1-84) Assignment 1, Introduction -- Metaphors For Humanity
10/20 W

excerpt from John Locke, “Of Ideas in General, and their Originality.”
excerpt from Henry Adams, The Education of Henry Adams
excerpt from William James, Talks to Teachers

Assignments 1, 2, or 3, Module 2-- Metaphors affect how we conceive of human nature; educating the mind
10/22 F

Nell Bernstein, "The War Off Drugs"
Nell Bernstein, The Drug War's Littlest Victims

Metaphors We Live By, pp. 156-158.

Assignments 1, Module 3 -- Metaphors in Action I: Determining Public Policy --

Begin Assignment 3, Module 3, today: Your notebook for Assignment 3 will be due on 12/8

10 10/25

M

excerpt from, Joe Klein, "How to Build a Better Democrat"
Philip E. Agre, "Imagining the Next War"
Rabbi Moshe Waldoks, "Bomb them with Butter"
Michael T. Kaufman, [Winning the Battle, Losing the War]
Ron Suskind, "Without a Doubt"

Assignments 2 and 4, Module 3 -- Metaphors in Action I: Determining Public Policy
10/27 W

"A true and most dreadful discourse of a woman possessed with the Devill . . . ." (published 1584) (Miami Students: see pictures of the original text through Early English Books Online; click on search, then search by title, or, if you are logged into the Network, click here.)

excerpt, from Ian Hacking, Rewriting the Soul: Multiple Personality and the Sciences of Memory

Assignment 1, Module 4 -- Metaphor and Responsibility
10/29 F

The Three Faces of Eve (Hollywood film starring Joanne Woodward, 1957) -- to be shown in class

REREAD excerpt, from Ian Hacking, Rewriting the Soul: Multiple Personality and the Sciences of Memory

Assignment 2, Module 4 -- Metaphor and Responsibility
11 11/1

M

from Georges Cuvier, The Animal Kingdom (1884)
Oxford English Dictionary: Impression
Rachel Carson, "Bats Knew It First," Collier's 114.24 (Nov. 18, 1944)
Donald R. Griffin, and Robert Galambos, "The Sensory Basis of Obstacle Avoidance by Flying Bats," Journal of Experimental Zoology 86 (1941): 481-506
Oxford English Dictionary: Sonar, Radar, Echolocation

Metaphors We Live By, pp. 106-125.
Review of Metaphors We Live By

Assignments 1 through 3, Module 5 -- Metaphors in Action II, Understanding Animals
11/3 W "Reality Versus Metaphor" Comment on a classmate's Blog
11/5 F

Mind as printing press:
excerpt from John Locke, “Of Perception," Of Retention”
Oxford English Dictionary: Impression

Mind as Computer:
excerpt from Vannevar Bush, “As We May Think”; Biography of Vannevar Bush
Steven Johnson, "Bitmapping: An Introduction"

Assignment 1, Module 6 -- Metaphors in Action III, Understanding Humans
12 11/8

M

Mind as Computer:
excerpt from Mark Taylor, The Moment of Complexity: Emerging Network Culture
excerpt from J. M. Balkin, Cultural Software
Sense-dataum Theories, Routledge Encyclopedia of Philosophy and Oxford English Dictionary

Mind as . . . .
Current Ideas about How the Mind Works

Metaphors We Live By, pp. 139-146.
Review of Metaphors We Live By

Assignments 2 and 3, Module 6 -- Metaphors in Action III, Understanding Humans
11/10 W

UNIT 3: TECHNOLOGY AND IDENTITY

Mary Shelley, Frankenstein, or a Modern Prometheus

excerpt from Erving Goffman, Stigma: Notes on the Management of Spoiled Identity
projection

Assignment 1, Module 1 -- Self / Other
11/12 F

Charles Dickens, excerpt from Great Expectations (1860-61)

excerpt from Erving Goffman, Stigma: Notes on the Management of Spoiled Identity

Assignment 2, Module 1 -- Self / Other
13 11/15

M

David Hume, "Of Personal Identity"
The Three Faces of Eve (look over your notes from 10/29)
sincere

excerpt from Erving Goffman, The Presentation of Self in Everyday Life (published 1959, Introduction, Chapter 1, Conclusion)
excerpt from Charles E. DeBose, “Codeswitching: Black English and Standard English in the African-American Linguistic Repetoire,” in Codeswitching, ed. Carol M. Eastman, Philadelphia: Multilingual Matters, 1992

Assignment 1 or 2, Module 3 -- Concepts of Self
11/17 W After creating your character, we will meet on Miami's MOO.

excerpt from, Sherry Turkle, Life on the Screen: Identity in the Age of the Internet ("Aspects of the Self," Ch. 7)

Creating Selves in Media

Today's class discussion will be held in the MOO. Prepare by reading Instructions for (Re)Creating a MOO Character

Comment on a classmate's Blog

11/19 F

excerpt from, Sherry Turkle, Life on the Screen: Identity in the Age of the Internet ("Aspects of the Self," Ch. 7)

Assignment 1, Module 4 -- Creating Selves in Media
14 11/22

M

Julian Dibbel, "A Rape in Cyberspace" (Village Voice, 21 December 1993); "I Feel Pretty," from My Tiny Life
Laura Miller, "Women and Children First," in Resisting the Virtual Life 49-58
David Chandler, "Personal Home Pages and the Construction of Identities on the Web"
Assignment 2, Module 4 -- Creating Selves in Media
11/24 W THANKSGIVING VACATION -- NO CLASSES  
11/26 F THANKSGIVING VACATION -- NO CLASSES  
15 11/29

M

Paris Hilton: <http://www.imdb.com/name/nm0385296/photogallery>
Jean Kilbourne, Killing Us Softly

Sut Jhally, "Image-Based Culture" -- available from The World & I Archive, article #17591 (July 1990) [Miami Students: go to Blackboard, Course Documents]

Assignment 1, Module 4 -- Self and Body
12/1 W

excerpt from Sut Jhally, Dreamworlds 2 (will be shown in class)
excerpt from The Accused, starring Jodi Foster

Nick Gillespie, "Happy Birthday, MTV" (Reason on line)

Comment on a classmate's Blog
12/3 F

UNIT 1: NARRATIVE AS TECHNOLOGY

Gary Marshall, Dir., excerpts from Pretty Woman (to be shown in class)

Grimm Brothers, "Ashputtle"

Vladimir Propp, excerpts from Morphology of the Folktale
Bruno Bettleheim, excerpt from The Uses of Enchantment

Assignment 1, Module 3 -- Narrative as Technology: The Uses of Fairytale
16 12/6

M

UNIT 3: TECHNOLOGY AND IDENTITY

Anne Sexton, "Cinderella"

Body Image

Poetry: Response Assignment, to be turned in on paper at the beginning of class (follow the instructions in Blackboard, Assignments, Response Assignments, Poetry).
12/8 W

UNIT 2: METAPHORS AS TECHNOLOGY

Final Discussion

COURSE EVALUTIONS

Assignment 3, Module 3, Metaphors as Technology: Notebook due today to share with class
12/10 F CLASS PARTY  
FE 12/14 T FINAL EXAM: Tues. December 14, 5:30 to 7:30 p.m. in our classroom, Upham 163 Make any additions or changes to your Blog by 7:30 p.m.

 

 

 

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