
| The Culture of Information | Professor Laura Mandell |
| English 180.U, Section A | Phone: (O) 9-5276; Office: 370 BAC |
Fall 2004 |
(H) (before 9 p.m.) 765-647-2096 |
| MWF 10:00-10:50 a.m. , 163 Upham | Office Hours: |
| http://blackboard.muohio.edu | mandellc@muohio.edu |
It seems relatively simple to think about the impact of technology on our lives. Since the development of the automobile and the computer, life is more harried: we are expected to do more, to produce more, to be more places at once. But there are much less obvious ways that new technologies affect us, visible only if one takes a look at the special connection between media (computer, television, film) and form. What is form? Well, of course, there is literary form: the sonnet is a poetic form that first made its way into English during the 16th century; the novel is a prose form that arrived more recently, during the 18th century. But in a broader way, everything we perceive or think is in some form or another, whether it be in the form of a word or an image. Anything formless is also unthinkable: reality must be always be formed in some way or another in order to be conceivable at all. Moreover (and this may surprise you) many literary theorists think that our idea of what it means to be a person -- the set of expectations, beliefs, feelings, and ideas we have about what it means and feels like to be a self -- took on its modern form during the late 18th century, at the moment in "the print revolution" of mass publication and mass literacy. Will "the computer revolution" change our ideas, our feelings, our sense of who we are?
This class is organized into three units: Narrative as Technology, Metaphor as Technology, Technology and Identity. The major premise of this course is that various forms (sentence structure, narrative, metaphor) are themselves "technologies." --Wait, you probably wish to say, are you suggesting that a sentence is like a car??? Well, sort of, except that it is a technology for thinking rather than for moving. What kind of technology is any given form? That is, what kinds of knowledge or feeling do various forms produce, and how? We will look at how narrative forms which change depending upon their media affect the way we tell our life stories, and consequently what we think and feel about ourselves. Metaphors provide pathways for thought and feeling without us being conscious of them: we will look at the part they play in emotions such as anger, even the explosive anger leading to violent crimes such as rape. Why look at these "old" technologies? To help us better understand the new. New media also produce forms of life and thought, sometimes by changing narrative forms (and even sentence structures, as we will see), sometimes by offering new metaphors and with them, new ways of being human. Thus in the last unit, we will look at how new technologies affect our sense of identity. What kinds of selves are now imaginable, that weren't before, given that we use digital technologies to think with, in the same way that we use sentences to think with? Of course computers enter not only into our practices and habits, but also into our dreams: how do we view ourselves now that we use computers as metaphors for delimiting what it means to be human?
This class has received two large grants from the State of Ohio to develop, as you can see from going to the web site we produced for that grant called "Technology and the Humanities." As you can see there, I have been working on it in conjunction with many other people for the last four years. Also, I have been teaching a version of this class as a first-year course and as a capstone course, as you can see when you go to the English Technology web site. If at the end of the semester you give me formal permission, I would like to "publish" your Blogs at the English Tech site, just as some of the students' final projects appear here. You are welcome to browse throughout both related sites.
This is a thinking class. I believe that, in order to think well, one must read carefully, slowly, write about what one has read, and then discuss it with others who have different ideas and perspectives. Light on reading assignments (we'll read a great variety, but not a great number of pages!), this class requires the equivalent of about 10 double-spaced typed pages per week of writing. I say "the equivalent" because your writing will not consist in formal papers (with one exception), but rather in postings to your own Blog (which I'll help you set up) and commenting on Blogs by your classmates. If you get into the habit of note-taking and writing (thinking aloud via your writing, in a public way) as you read, the work in this class will begin to seem very easy indeed. By the end of the class, you will have a Blog that is the equivalent, in terms of pages and thoughtfulness, of an Honors Thesis -- or perhaps even a Masters Thesis! Because the course requires weekly writing, there will be no midterm or final. There will be one three-page, double-spaced, typed formal paper that is written in stages, turned in with accompanying Web-site design plans and notes; weekly writing will be suspended during the time that you work on this assignment. Instead of the Final Exam, you may revise your Blog, based on my comments and comments by others, and/or add to it. Your final Blog revisions must be completed by the date and time of the Final Exam.
Notice that 70% of your grade will come from averaging your weekly grades: it is not possible to pass this class by doing the Blog at the end of the semester. Blog assignments cannot be turned in late except under special circumstances: they are due at the time of our class meeting even if you are unable to attend class.
I will grade your Blog activity not by assignment but in total, once a week. Because my comments on your Blog will contain a grade, I will not post them publicly on your Blog but will email them to you and hand them out in class. In addition, the grades for each week of Blog-work will be posted in Blackboard on our course Web site.
Your Blogs will not be graded for grammar, but rather for the quality and profundity of your thinking process. Sometimes good grammar and style help you think more clearly and deeply. When certain grammatical or stylistic problems are in some way hampering your thinking process, I will print out that portion of your Blog and show you ways you might revise. I'll only do this, however, when I think seeing various versions of what you are trying to say might deepen your thinking in some way.
| Web Blog, Weekly Grade | 70% |
| Assignment, Module 5, Creating Oneself In Media | 15% |
| Final Blog | 15% |
| A+ | 97-100 | C | 73-76 |
| A | 93-96 | C- | 70-72 |
| A- | 90-92 | D+ | 67-69 |
| B+ | 87-89 | D | 63-66 |
| B | 83-86 | D- | 60-62 |
| B- | 80-82 | F | 0-59 |
| C+ | 77-79 |
More than three absences, excused or not, will lower your grade; after five absences, you will be asked to drop the class, except in the case of sustained medical problems recognized as such by the university.
You are welcome to use any Blog you would like to use, as long as you can give me the URL and as long as it has the capacity to accept comments from your classmates. But if you don't have a preference, it is VERY EASY to start your Blog:
- Go to http://www.blogger.com/start
- Follow the instructions for making your Blog.
- Send me the blog address: http://__________.blogspot.com
All the URLs for Blogs will be posted at our Class Blog List Site: http://www.units.muohio.edu/englishtech/blog.htm
As is usual with all new technologies, it is best to save your work just in case there is some kind of failure. After you work in your Blog or in the Blog of a classmate, highlight what you have written with your cursor, and then click on "Edit, Copy" at the top of your browser. Open Word and click on "Edit, Paste." Save your document as the class date (MMDDYY) in a folder called "InfoCulture."
George Lakoff and Mark Johnson, Metaphors We Live By, ISBN: 0226468011
Joseph Williams, Style: Toward Clarity and Grace, ISBN: 0-226-89915-2
Edward Tufte, “The Cognitive Style of PowerPoint,” ISBN: 0-9613921-5-0
Mary Shelley, Frankenstein, ISBN 0-451-52771-2
Henry David Thoreau, Walden, ISBN: 0486284956 Dover Editions
Philip K. Dick, Blade Runner (Do Androids Dream of Electric Sheep?), ISBN: 0345350472
All the class readings other than these books are available at the public Web Site or here, below. When you come to a link in your Schedule (below), click on it: a new window will open containing the reading and/or the Assignment.
For Further Reading, see the Class Reserve List.
| Wk | Date | Day | Readings (have read these items by the time class meets) | Assignments Due at the beginning of this Class Meeting, Posted on your Blog |
| 1 | 8/25 |
W |
Introduction |
|
| 8/27 | F | UNIT 1: NARRATIVE AS TECHNOLOGY Spencer Holst, "The Zebra Storyteller" |
Log onto the class Blackboard and Course Modules sites. Introduce yourself to everyone by making a blog. |
|
| 2 | 8/30 |
M |
Nathaniel Hawthorne, "The Birthmark" |
Assignment #1, Module 1 -- Narrative as a Tool for Thinking About Technology |
| 9/1 | W | Mary Shelley, Frankenstein (78-128, Chs. 10-17) |
Comment on a classmate's Blog at our class Blog site. | |
| 9/3 | F | Mary Shelley, Frankenstein (129-198, Chs. 18-24) | Assignment #2, Module 1 -- Narrative as a Tool for Thinking About Technology | |
| 3 | 9/6 | M |
LABOR DAY -- NO CLASSES |
|
| 9/7 | T | MONDAY / TUES EXCHANGE: We Meet Today! Philip K. Dick, Do Androids Dream of Electric Sheep? (Blade Runner) |
Assignment #1, Module 2 --
Narrative as a Tool for Thinking About Technology |
|
| 9/8 | W | LIBRARY DAY: View the movie Blade Runner (on reserve, closed stacks, IMC) sometime between 9/6 and 9/13 |
Comment on the movie in your Blog; comment on a classmate's Blog. | |
| 9/10 | F | Philip Dick, Do Androids Dream? |
Assignment #2, Module 2 -- Narrative as a Tool for Thinking About Technology | |
| 4 | 9/13 |
M |
Jorge Luis Borges, "The Garden of the Forking Paths" (from Everything and Nothing) |
Assignment #1, Module 4 -- Narrative Constructions of Self in Film and Story |
| 9/15 | W | excerpts from The Wizard of Oz, to be shown in class |
Assignment #2, Module 4 -- Narrative Constructions of Self in Film and Story Comment on a classmate's Blog. |
|
| 9/17 | F | Marie-Laure Ryan, Introduction to Narrative Across
Media: The Languages of Storytelling (e-reserves) |
Assignment #3, Module 4 -- Narrative Constructions of Self in Film and Story | |
| 5 | 9/20 |
M |
excerpts from Alan Palmer, Fictional Minds (avail.
in NetLibrary)
|
Assignment, Module 5, Part I -- Creating Oneself in Media |
| 9/22 | W | excerpts from Scott Fisher, Multimedia Authoring |
Assignment, Module 5, Part II -- Creating Oneself in Media Comment on a classmate's Blog. |
|
| 9/23 | R | EXTRA CREDIT: Sut Jhally, "Hijacking Catastrophe: 9/11, Fear and the Selling of an American Empire" Pearson 128, 4 p.m. |
Comment in your Blog on Jhally's talk. | |
| 9/24 | F | excerpts from Steven Krug, Don't Make Me Think!: A
Common-Sense Approach to Web Usability |
Assignment, Module 5, Part III -- Creating Oneself in Media | |
| 6 | 9/27 |
M |
Robert Markley, Red Planet: Scientific and Cultural Encounters with Mars (we will pass CD-Rom around or I will put it on reserve) Edward Tufte, "The Cognitive Style of PowerPoint" |
Assignment, Module 5, Part IV -- Creating Oneself in Media |
| 9/29 | W | Tufte on the Use of Bullets Challenger Clive Thompson, "PowerPoint Makes You Dumb" Stephen Shugart, "Beyond PowerPoint" |
Assignment
2, Module 6 -- The Form of Information
|
|
| 10/1 | F | ROBERT MARKLEY VISITS What Difference Form Makes: Mary E. Hocks, Michelle Kendrick, Introduction to Eloquent Images |
Assignment 3, Module 6 -- The Form of Information | |
EXTRA CREDIT: Robert Markley's Talk, 337 BAC, 4:00 to 6:00 p.m. |
||||
| 7 | 10/4 |
M |
George Orwell, "Politics and the English
Language" |
Last day to withdraw with a "W." Any student who has missed four classes or more by this date will be dropped from the class. Assignment
1, Module 6 -- The Form of Information |
| 10/6 | W | UNIT 2: METAPHOR AS TECHNOLOGY excerpt from Plato, The Phaedrus (on writing) excerpt from Jack Goody, Intro. to Interface Between the Written
and the Oral (excerpt) [Begin reading Walden, pp. 1-52 "Economy"] |
Assignment 2, Introduction -- Metaphors For Humanity |
|
| 10/8 | F | MATT KIRSCHENBAUM VISITS essays by Matt Kirschenbaum
[Walden, pp. 52-90, up to "Visitors"] |
Comment on a classmate's Blog. | |
EXTRA CREDIT: Matt Kirschenbaum's Talk, 337 BAC, 4:00 to 6:00 p.m. |
||||
| 8 | 10/11 | M |
William Blake, “A Poison Tree” (with
pictures; text only) [Walden, pp. 90-144, up to "Brute Neighbors"] |
Assignment 2, Module 1 -- Metaphors affect how we think and feel |
| 10/13 | W | Judy Collins, Both
Sides Now CANCELLED: GAME MISSING!!! Castle of Otranto Game: Instructions; Game [Walden, pp. 144-182, up to "The Pond in Winter"] |
Assignment 1, Module 1 -- Metaphors affect how we think, feel, and act | |
| 10/15 | F | FALL BREAK -- NO CLASSES [Finish Walden, pp. 182-216] |
||
| 9 | 10/18 | M |
Reread Walden "Economy," "Where I Lived, and What I Lived For," "Reading," "Sounds," "The Ponds" (1-84) | Assignment 1, Introduction -- Metaphors For Humanity |
| 10/20 | W | excerpt from John Locke, “Of Ideas
in General, and their Originality.” |
Assignments 1, 2, or 3, Module 2-- Metaphors affect how we conceive of human nature; educating the mind | |
| 10/22 | F | Nell Bernstein, "The War Off Drugs" Metaphors We Live By, pp. 156-158. |
Assignments 1, Module 3 -- Metaphors in Action I: Determining Public Policy -- Begin Assignment 3, Module 3, today: Your notebook for Assignment 3 will be due on 12/8 |
|
| 10 | 10/25 | M |
excerpt from, Joe Klein, "How to Build
a Better Democrat" |
Assignments 2 and 4, Module 3 -- Metaphors in Action I: Determining Public Policy |
| 10/27 | W | "A true and most dreadful discourse of a woman possessed with the Devill . . . ." (published 1584) (Miami Students: see pictures of the original text through Early English Books Online; click on search, then search by title, or, if you are logged into the Network, click here.) excerpt, from Ian Hacking, Rewriting the Soul: Multiple Personality and the Sciences of Memory |
Assignment 1, Module 4 -- Metaphor and Responsibility | |
| 10/29 | F | The Three Faces of Eve (Hollywood film starring Joanne Woodward, 1957) -- to be shown in class REREAD excerpt, from Ian Hacking, Rewriting the Soul: Multiple Personality and the Sciences of Memory |
Assignment 2, Module 4 -- Metaphor and Responsibility | |
| 11 | 11/1 | M |
from Georges Cuvier, The Animal Kingdom (1884) Metaphors We Live By, pp. 106-125. |
Assignments 1 through 3, Module 5 -- Metaphors in Action II, Understanding Animals |
| 11/3 | W | "Reality Versus Metaphor" | Comment on a classmate's Blog | |
| 11/5 | F | Mind as printing press: Mind as Computer: |
Assignment 1, Module 6 -- Metaphors in Action III, Understanding Humans | |
| 12 | 11/8 | M |
Mind as Computer: Mind as . . . . Metaphors We Live By, pp. 139-146. |
Assignments 2 and 3, Module 6 -- Metaphors in Action III, Understanding Humans |
| 11/10 | W | UNIT 3: TECHNOLOGY AND IDENTITY Mary Shelley, Frankenstein, or a Modern Prometheus excerpt from Erving Goffman, Stigma:
Notes on the Management of Spoiled Identity |
Assignment 1, Module 1 -- Self / Other | |
| 11/12 | F | Charles Dickens, excerpt from Great Expectations (1860-61) excerpt from Erving Goffman, Stigma: Notes
on the Management of Spoiled Identity |
Assignment 2, Module 1 -- Self / Other | |
| 13 | 11/15 | M |
David Hume, "Of Personal Identity" excerpt from Erving Goffman, The Presentation
of Self in Everyday Life (published 1959, Introduction,
Chapter 1, Conclusion) |
Assignment 1 or 2, Module 3 -- Concepts of Self |
| 11/17 | W | After creating
your character, we will meet on
Miami's MOO.
excerpt from, Sherry Turkle, Life on the Screen: Identity in the Age of the Internet ("Aspects of the Self," Ch. 7) |
Creating Selves in Media Today's class discussion will be held in the MOO. Prepare by reading Instructions for (Re)Creating a MOO Character Comment on a classmate's Blog |
|
| 11/19 | F | excerpt from, Sherry Turkle, Life on the Screen: Identity in the Age of the Internet ("Aspects of the Self," Ch. 7) |
Assignment 1, Module 4 -- Creating Selves in Media | |
| 14 | 11/22 | M |
Julian Dibbel, "A
Rape in Cyberspace" (Village Voice, 21 December 1993); "I
Feel Pretty," from My Tiny Life Laura Miller, "Women and Children First," in Resisting the Virtual Life 49-58 David Chandler, "Personal Home Pages and the Construction of Identities on the Web" |
Assignment 2, Module 4 -- Creating Selves in Media |
| 11/24 | W | THANKSGIVING VACATION -- NO CLASSES | ||
| 11/26 | F | THANKSGIVING VACATION -- NO CLASSES | ||
| 15 | 11/29 | M |
Paris
Hilton: <http://www.imdb.com/name/nm0385296/photogallery> Sut Jhally, "Image-Based Culture" -- available from The World & I Archive, article #17591 (July 1990) [Miami Students: go to Blackboard, Course Documents] |
Assignment 1, Module 4 -- Self and Body |
| 12/1 | W | excerpt from Sut Jhally, Dreamworlds 2 (will be shown in
class) Nick Gillespie, "Happy Birthday, MTV" (Reason on line) |
Comment on a classmate's Blog | |
| 12/3 | F | UNIT 1: NARRATIVE AS TECHNOLOGY Gary Marshall, Dir., excerpts from Pretty Woman (to be shown in class) Grimm Brothers, "Ashputtle" Vladimir Propp, excerpts from Morphology of the Folktale |
Assignment 1, Module 3 -- Narrative as Technology: The Uses of Fairytale | |
| 16 | 12/6 | M |
UNIT 3: TECHNOLOGY AND IDENTITY Anne Sexton, "Cinderella" |
Poetry: Response Assignment, to be turned in on paper at the beginning of class (follow the instructions in Blackboard, Assignments, Response Assignments, Poetry). |
| 12/8 | W | UNIT 2: METAPHORS AS TECHNOLOGY Final Discussion COURSE EVALUTIONS |
Assignment 3, Module 3, Metaphors as Technology: Notebook due today to share with class | |
| 12/10 | F | CLASS PARTY | ||
| FE | 12/14 | T | FINAL EXAM: Tues. December 14, 5:30 to 7:30 p.m. in our classroom, Upham 163 | Make any additions or changes to your Blog by 7:30 p.m. |