Class Schedule of Readings and Assignments
Available at: http://www.units.muohio.edu/englishtech/ENG180UFall2004/180uSchedule.htm

Wk Date Day Readings (have read these items by the time class meets) Assignments Due at the beginning of this Class Meeting, Posted on your Blog
1

8/25

W

Introduction

 
8/27 F

Log onto the class Blackboard and Course Modules sites.

Introduce yourself to everyone by making a blog.

2

8/30

M

Nathaniel Hawthorne, "The Birthmark"
Mary Shelley, Frankenstein (xx-77, Intro. through Ch. 9)

Assignment #1, Module 1 -- Narrative as a Tool for Thinking About Technology
9/1 W

Mary Shelley, Frankenstein (78-128, Chs. 10-17)
Science Fiction (video)

Comment on a classmate's Blog at our class Blog site.
9/3 F Mary Shelley, Frankenstein (129-198, Chs. 18-24) Assignment #2, Module 1 -- Narrative as a Tool for Thinking About Technology
3 9/6

M

LABOR DAY -- NO CLASSES

 
9/7 T

MONDAY / TUES EXCHANGE: We Meet Today!

Philip K. Dick, Do Androids Dream of Electric Sheep? (Blade Runner)
View the movie Blade Runner (on reserve, closed stacks, IMC) sometime between 9/6 and 9/13

Assignment #1, Module 2 -- Narrative as a Tool for Thinking About Technology
9/8 W

LIBRARY DAY:

View the movie Blade Runner (on reserve, closed stacks, IMC) sometime between 9/6 and 9/13

Comment on the movie in your Blog; comment on a classmate's Blog.
9/10 F

Philip Dick, Do Androids Dream?
View the movie Blade Runner (on reserve, closed stacks, IMC) sometime between 9/6 and 9/13

Assignment #2, Module 2 -- Narrative as a Tool for Thinking About Technology
4

9/13

M

Jorge Luis Borges, "The Garden of the Forking Paths" (from Everything and Nothing)

Assignment #1, Module 4 -- Narrative Constructions of Self in Film and Story
9/15 W

excerpts from The Wizard of Oz, to be shown in class
Marshall McLuhan, "The Medium is the Message"

Assignment #2, Module 4 -- Narrative Constructions of Self in Film and Story

Comment on a classmate's Blog.

9/17 F

Marie-Laure Ryan, Introduction to Narrative Across Media: The Languages of Storytelling (e-reserves)
Barthes, Greimas, Genette: Narratology

Assignment #3, Module 4 -- Narrative Constructions of Self in Film and Story
5

9/20

M

excerpts from Alan Palmer, Fictional Minds (avail. in NetLibrary)
excerpts from David Lodge, The Art of Fiction

Assignment, Module 5, Part I -- Creating Oneself in Media
9/22 W

excerpts from Scott Fisher, Multimedia Authoring
excerpts from Sam Mendes, Dir., American Beauty -- Storyboard

Assignment, Module 5, Part II -- Creating Oneself in Media

Comment on a classmate's Blog.

9/23 R

EXTRA CREDIT:

Sut Jhally, "Hijacking Catastrophe: 9/11, Fear and the Selling of an American Empire" Pearson 128, 4 p.m.

Comment in your Blog on Jhally's talk.
9/24 F

excerpts from Steven Krug, Don't Make Me Think!: A Common-Sense Approach to Web Usability
excerpts from Thomas Powell, Web Design: The Complete Reference (avail. in NetLibrary)

Assignment, Module 5, Part III -- Creating Oneself in Media
6

9/27

M

Robert Markley, Red Planet: Scientific and Cultural Encounters with Mars (we will pass CD-Rom around or I will put it on reserve)

Edward Tufte, "The Cognitive Style of PowerPoint"

Assignment, Module 5, Part IV -- Creating Oneself in Media
9/29 W Tufte on the Use of Bullets
Challenger
Clive Thompson, "PowerPoint Makes You Dumb"
Stephen Shugart, "Beyond PowerPoint"

Assignment 2, Module 6 -- The Form of Information
an in-class writing assignment

 

10/1 F

ROBERT MARKLEY VISITS

What Difference Form Makes:

Mary E. Hocks, Michelle Kendrick, Introduction to Eloquent Images
Anne Wysocki, "Seriously Visible" in Eloquent Images
Helen Burgess, Jeanne Hamming, and Robert Markley, " The Dialogics of New Media: Video, Visualization, and Narrative in Red Planet: Scientific and Cultural Encounters with Mars," in Eloquent Images

Assignment 3, Module 6 -- The Form of Information

EXTRA CREDIT:

Robert Markley's Talk, 337 BAC, 4:00 to 6:00 p.m.

 
7

10/4

M

George Orwell, "Politics and the English Language"
Joseph Williams, Style: Toward Clarity and Grace: on Subjects as Characters, Nominalization, Active Voice (Chapter 2, "Clarity," pp. 17-43)
How to Improve Crabbed Prose, and Figure Out What You Yourself Think

Last day to withdraw with a "W." Any student who has missed four classes or more by this date will be dropped from the class.

Assignment 1, Module 6 -- The Form of Information
an in-class writing assignment

10/6 W

UNIT 2: METAPHOR AS TECHNOLOGY

excerpt from Plato, The Phaedrus (on writing)

excerpt from Jack Goody, Intro. to Interface Between the Written and the Oral (excerpt)
Jack Goody, "Technologies of the Intellect: Writing and the Written Word" (from The Power of the Written Tradition) -- on electronic reserve
--TRY CLICKING HERE AND THEN TYPING IN YOUR SECRET PASSWORD: computersrock

[Begin reading Walden, pp. 1-52 "Economy"]

Assignment 2, Introduction -- Metaphors For Humanity

10/8 F

MATT KIRSCHENBAUM VISITS

essays by Matt Kirschenbaum

[Walden, pp. 52-90, up to "Visitors"]

Comment on a classmate's Blog.

EXTRA CREDIT:

Matt Kirschenbaum's Talk, 337 BAC, 4:00 to 6:00 p.m.

8 10/11

M

William Blake, “A Poison Tree” (with pictures; text only)
Geroge Lakoff and Mark Johnson, Metaphors We Live By, pp. 3-13, 25-34, 46-51
George Lakoff, "Anger," in Women, Fire, and Dangerous Things (HO)

[Walden, pp. 90-144, up to "Brute Neighbors"]

Assignment 2, Module 1 -- Metaphors affect how we think and feel
10/13 W

Judy Collins, Both Sides Now
Metaphor Exercise

CANCELLED: GAME MISSING!!! Castle of Otranto Game: Instructions; Game

[Walden, pp. 144-182, up to "The Pond in Winter"]

Assignment 1, Module 1 -- Metaphors affect how we think, feel, and act
10/15 F

FALL BREAK -- NO CLASSES

[Finish Walden, pp. 182-216]

 
9 10/18

M

Reread Walden "Economy," "Where I Lived, and What I Lived For," "Reading," "Sounds," "The Ponds" (1-84) Assignment 1, Introduction -- Metaphors For Humanity
10/20 W

excerpt from John Locke, “Of Ideas in General, and their Originality.”
excerpt from Henry Adams, The Education of Henry Adams
excerpt from William James, Talks to Teachers

Assignments 1, 2, or 3, Module 2-- Metaphors affect how we conceive of human nature; educating the mind
10/22 F

Nell Bernstein, "The War Off Drugs"
Nell Bernstein, The Drug War's Littlest Victims

Metaphors We Live By, pp. 156-158.

Assignments 1, Module 3 -- Metaphors in Action I: Determining Public Policy --

Begin Assignment 3, Module 3, today: Your notebook for Assignment 3 will be due on 12/8

10 10/25

M

excerpt from, Joe Klein, "How to Build a Better Democrat"
Philip E. Agre, "Imagining the Next War"
Rabbi Moshe Waldoks, "Bomb them with Butter"
Michael T. Kaufman, [Winning the Battle, Losing the War]
Ron Suskind, "Without a Doubt"

Assignments 2 and 4, Module 3 -- Metaphors in Action I: Determining Public Policy
10/27 W

"A true and most dreadful discourse of a woman possessed with the Devill . . . ." (published 1584) (Miami Students: see pictures of the original text through Early English Books Online; click on search, then search by title, or, if you are logged into the Network, click here.)

excerpt, from Ian Hacking, Rewriting the Soul: Multiple Personality and the Sciences of Memory

Assignment 1, Module 4 -- Metaphor and Responsibility
10/29 F

The Three Faces of Eve (Hollywood film starring Joanne Woodward, 1957) -- to be shown in class

REREAD excerpt, from Ian Hacking, Rewriting the Soul: Multiple Personality and the Sciences of Memory

Assignment 2, Module 4 -- Metaphor and Responsibility
11 11/1

M

from Georges Cuvier, The Animal Kingdom (1884)
Oxford English Dictionary: Impression
Rachel Carson, "Bats Knew It First," Collier's 114.24 (Nov. 18, 1944)
Donald R. Griffin, and Robert Galambos, "The Sensory Basis of Obstacle Avoidance by Flying Bats," Journal of Experimental Zoology 86 (1941): 481-506
Oxford English Dictionary: Sonar, Radar, Echolocation

Metaphors We Live By, pp. 106-125.
Review of Metaphors We Live By

Assignments 1 through 3, Module 5 -- Metaphors in Action II, Understanding Animals
11/3 W "Reality Versus Metaphor" Comment on a classmate's Blog
11/5 F

Mind as printing press:
excerpt from John Locke, “Of Perception," Of Retention”
Oxford English Dictionary: Impression

Mind as Computer:
excerpt from Vannevar Bush, “As We May Think”; Biography of Vannevar Bush
Steven Johnson, "Bitmapping: An Introduction"

Assignment 1, Module 6 -- Metaphors in Action III, Understanding Humans
12 11/8

M

Mind as Computer:
excerpt from Mark Taylor, The Moment of Complexity: Emerging Network Culture
excerpt from J. M. Balkin, Cultural Software
Sense-dataum Theories, Routledge Encyclopedia of Philosophy and Oxford English Dictionary

Mind as . . . .
Current Ideas about How the Mind Works

Metaphors We Live By, pp. 139-146.
Review of Metaphors We Live By

Assignments 2 and 3, Module 6 -- Metaphors in Action III, Understanding Humans
11/10 W

UNIT 3: TECHNOLOGY AND IDENTITY

Mary Shelley, Frankenstein, or a Modern Prometheus

excerpt from Erving Goffman, Stigma: Notes on the Management of Spoiled Identity
projection

Assignment 1, Module 1 -- Self / Other
11/12 F

Charles Dickens, excerpt from Great Expectations (1860-61)

excerpt from Erving Goffman, Stigma: Notes on the Management of Spoiled Identity

Assignment 2, Module 1 -- Self / Other
13 11/15

M

David Hume, "Of Personal Identity"
The Three Faces of Eve (look over your notes from 10/29)
sincere

excerpt from Erving Goffman, The Presentation of Self in Everyday Life (published 1959, Introduction, Chapter 1, Conclusion)
excerpt from Charles E. DeBose, “Codeswitching: Black English and Standard English in the African-American Linguistic Repetoire,” in Codeswitching, ed. Carol M. Eastman, Philadelphia: Multilingual Matters, 1992

Assignment 1 or 2, Module 3 -- Concepts of Self
11/17 W After creating your character, we will meet on Miami's MOO.

excerpt from, Sherry Turkle, Life on the Screen: Identity in the Age of the Internet ("Aspects of the Self," Ch. 7)

Creating Selves in Media

Today's class discussion will be held in the MOO. Prepare by reading Instructions for (Re)Creating a MOO Character

Comment on a classmate's Blog

11/19 F

excerpt from, Sherry Turkle, Life on the Screen: Identity in the Age of the Internet ("Aspects of the Self," Ch. 7)

Assignment 1, Module 4 -- Creating Selves in Media
14 11/22

M

Julian Dibbel, "A Rape in Cyberspace" (Village Voice, 21 December 1993); "I Feel Pretty," from My Tiny Life
Laura Miller, "Women and Children First," in Resisting the Virtual Life 49-58
David Chandler, "Personal Home Pages and the Construction of Identities on the Web"
Assignment 2, Module 4 -- Creating Selves in Media
11/24 W THANKSGIVING VACATION -- NO CLASSES  
11/26 F THANKSGIVING VACATION -- NO CLASSES  
15 11/29

M

Paris Hilton: <http://www.imdb.com/name/nm0385296/photogallery>
Jean Kilbourne, Killing Us Softly

Sut Jhally, "Image-Based Culture" -- available from The World & I Archive, article #17591 (July 1990) [Miami Students: go to Blackboard, Course Documents]

Assignment 1, Module 4 -- Self and Body
12/1 W

excerpt from Sut Jhally, Dreamworlds 2 (will be shown in class)
excerpt from The Accused, starring Jodi Foster

Nick Gillespie, "Happy Birthday, MTV" (Reason on line)

Comment on a classmate's Blog
12/3 F

UNIT 1: NARRATIVE AS TECHNOLOGY

Gary Marshall, Dir., excerpts from Pretty Woman (to be shown in class)

Grimm Brothers, "Ashputtle"

Vladimir Propp, excerpts from Morphology of the Folktale
Bruno Bettleheim, excerpt from The Uses of Enchantment

Assignment 1, Module 3 -- Narrative as Technology: The Uses of Fairytale
16 12/6

M

UNIT 3: TECHNOLOGY AND IDENTITY

Anne Sexton, "Cinderella"

Body Image

Poetry: Response Assignment, to be turned in on paper at the beginning of class (follow the instructions in Blackboard, Assignments, Response Assignments, Poetry).
12/8 W

UNIT 2: METAPHORS AS TECHNOLOGY

Final Discussion

COURSE EVALUTIONS

Assignment 3, Module 3, Metaphors as Technology: Notebook due today to share with class
12/10 F CLASS PARTY  
FE 12/14 T FINAL EXAM: Tues. December 14, 5:30 to 7:30 p.m. in our classroom, Upham 163 Make any additions or changes to your Blog by 7:30 p.m.